Shake It Up, Bisques!

Here's the thing. I'm pretty certain knowing y'alls some o' that Shakey - that ol' Bard of Straford on Avon - will always serve you in some way, particularly in the entertainment industry. In screenwriting, it can bring you round to that oh, so coveted "same but different" screenplay, it is rife with characters and situations you can steal borrow, and isn't it just good to know where shit came from? Plus, most of the country isn't up on it's Troilus and Cressida, so as long as you aren't writing another Romeo and Juliet you're probably fine. No, strike that, there's a new Romeo and Juliet spin constantly. Besides, his stuff is just an awfully good place for reminders of basic story plots. Like the Star Crossed Lovers™ .

Book to Screen: The Lovely Bones

Alright, it's about time to get down with my first Book to Screen post, something I think will be a recurring, though not necessarily regular, segment.

Here is a part of my Goodreads review (which was short to begin with), which basically says my thoughts on the book.

I felt the book was like a sentimental drama thriller, without the usual melodrama that accompanies stories of this type. It's like an "easy listening" suspense story, if you know what I mean. That doesn't mean it's cheap or sappy, not at all. I enjoyed it a lot and it affected me emotionally but it was a comfortable ride, for the most part, despite the horrors that occurred within the story.

I enjoyed the book. I give it a 3.3ish out of 5.

Now the screenplay by Fran Walsh, Phillipa Boyens and Peter Jackson (who seems to only do adaptations). Trying without spoilers.